Dancers And Choreographers Codexery

Uday Shankar

Indian dancer who fused European theatrical techniques with Indian classical dance.

Uday Shankar

Uday Shankar (born Uday Shankar Chowdhury; 8 December 1900 – 26 September 1977) was an Indian dancer and choreographer, best known for creating a fusion style of dance, adapting European theatrical techniques to Indian classical dance, imbued with elements of Indian classical, folk, and tribal dance, which he later popularised in India, Europe, and the United States in the 1920s and 1930s. He was a pioneer of modern dance in India. In 1962, he was awarded by Sangeet Natak Akademi, India's The National Academy for Music, Dance and Drama, with its highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement, and in 1971, the Govt. of India, awarded him its second highest civilian award the Padma Vibhushan.

born
8 December 1900, Udaipur, Rajasthan
died
26 September 1977
field
Dance, choreography
nationality
Indian
known_for
Creating a fusion dance style blending European theatrical techniques with India

Verified Timeline

19001918192019311933193619381942194819601962196519711977

Lore & Background

Uday Shankar Chowdhury was born in Udaipur, Rajasthan, the eldest son of a Bengali Brahmin family with origins in Narail (present-day Bangladesh). His father Shyam Shankar Chowdhury, a noted barrister, was employed with the Maharaja of Jhalawar in Rajasthan at the time of his eldest son's birth, and his mother Hemangini Devi was descended from a zamindari family. Uday's studies took place at various locations including Nasratpur, Gazipur, Varanasi, and Jhalawar. In 1918, at the age of eighteen, he was sent to Mumbai to train at the J. J. School of Art and then to Gandharva Mahavidyalaya. Subsequently, Uday joined his father in London, and on 23 August 1920, joined the Royal College of Art, London to study painting under Sir William Rothenstein. He danced at a few charity performances that his father had organized in London, and on one such occasion, noted Russian ballerina Anna Pavlova happened to be present. This was to have a lasting impact on his career. Uday Shankar did not have any formal training in any of the Indian classical dance forms. The turning point came with his first meetings with legendary Russian ballerina Anna Pavlova. This led to the creation of ballets based on Hindu themes, 'Radha-Krishna', a duet with Anna, and 'Hindu Wedding', for inclusion in her production, 'Oriental Impressions'. The ballet was presented at the Royal Opera House, Covent Garden, in London. He worked with Anna for one and a half years, before starting out on his own in Paris. On his return to Paris in 1931, he founded Europe's first Indian dance company, along with Alice Boner. His first series of dance performances were held on 3 March 1931, at the Champs-Elysees Theatre in Paris. Soon he embarked on a seven-year tour through Europe and America with his own troupe, which he called – 'Uday Shankar and his Hindu Ballet', under the aegis of impresario Sol Hurok and Celebrity Series of Boston of impresario, Aaron Richmond. He performed in the United States for the first time in January 1933 in New York City, along with his dance partner Simkie, a French dancer. In 1938, he made India his base, and established the 'Uday Shankar India Cultural Centre', at Simtola, 3 km from Almora, in Uttarakhand Himalayas. The centre, however, closed after four years in 1942, due to a paucity of funds. He made his only film, Kalpana (Imagination) in 1948, based on his dance, in which both he and his wife Amala Shankar danced.

Reader's Guide

Uday Shankar's significance lies in his pioneering fusion of European theatrical techniques with Indian classical, folk, and tribal dance, creating a new style he initially called 'Hi-dance', though later he called it 'Creative dance'. His adaptation of European theatrical techniques to Indian dance made his art hugely popular both in India and abroad, and he is rightly credited for ushering in a new era for traditional Indian temple dances, which until then had been known for their strict interpretations, and which were also going through their own revival. In 1936, he was invited by Leonard Knight Elmhirst to visit Dartington Hall, Totnes, Devon for a six-month residency, with his troupe and lead dancer, Simkie. Also present there were Michel Chekhov, the German modern dancer-choreographer, Kurt Jooss and another German Rudolf Laban, who had invented a system of dance notation. In 1962, he was awarded the highest award of the Sangeet Natak Akademi, the Sangeet Natak Akademi Fellowship for his lifetime contribution to Indian dance. Uday Shankar settled in Ballygunge, Kolkata in 1960, where the 'Uday Shankar Center for Dance' was opened in 1965. His legacy continues through his children: son Ananda Shankar, who became a musician and composer known for his fusion music, and daughter Mamata Shankar, a dancer like her parents, who became a noted actress and runs the 'Udayan Dance Company' in Kolkata.

Did You Know?

Frequently Asked Questions

Who is Uday Shankar?

Uday Shankar (1900–1977) was an Indian dancer and choreographer widely regarded as a pioneer of modern dance in India. He is best remembered for developing a distinctive fusion style that wove European theatrical methods into Indian classical, folk, and tribal movement traditions.

What made Uday Shankar's dance style unique?

Rather than staying within a single tradition, he blended European stagecraft with the vocabulary of Indian classical, folk, and tribal dance to create something entirely new. This hybrid approach set him apart from both Western modern dancers and traditional Indian performers of his era.

Where and when was Uday Shankar born and when did he die?

He was born Uday Shankar Chowdhury on 8 December 1900 in Udaipur, Rajasthan, India, and passed away on 26 September 1977.

Why is Uday Shankar important to dance history?

He is credited as a foundational figure in establishing modern dance as a distinct art form within India. His cross-cultural work in the 1920s and 1930s introduced audiences on multiple continents to a performance language that had not existed before.

In which countries did Uday Shankar build his reputation?

He toured and gained recognition across India, Europe, and the United States during the 1920s and 1930s. His international presence helped cement his status as a bridge between Eastern and Western dance traditions.

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